Saturday, May 30, 2015

All New Year Old Sketching: July to September '14

Despite having quite a lot to post about, I do seem to have fallen behind on the actual posting bit.  This means that for the first time in a while I have quite a few pieces that need posting about, rather than just a handful of speedpaints.  I'm not going to be doing much catching up today though, instead I'll be doing some catch up a little on the other posts I've fallen behind on - the monthly sketch update.

From here on things will be done a little differently.  Usually I scan the sketchbook pages, and then cut out things of note for the month and compose them into a new image.  This has two disadvantages though.  Firstly, it takes bloody ages, and I don't think there's really enough feedback to warrant all the work I put into it (this time sink aspect is the main reason I've fallen behind so badly).  Secondly, it means that consciously or not I end up cutting out a lot of the stuff that's crap.  This gives a false impression of my current progress (actually, my progress about 11 months ago because I'm so far behind).

To combat these issues I'm going to take to just posting the sketchbook pages mostly as they are when scanned.  There will still be some minor edits, and the colour and contrast adjusted for legibility, but instead of a couple of hours per sheet, it's more like a couple of hours per post, which is  a lot more manageable.

Edits will happen for the following reasons:
  • I drew something that's directly or indirectly linked with my day job, and might get me into trouble for posting (even if you don't know that it's associated and there are no clues that it might be), or is something I'm working on outside of that job and I want to save the sketch for the final review post.
  • Something I like is upside down or at some other odd angle, and I want to show it off better (this will not apply to things that are crap).
  • I am so unspeakably ashamed of something I've drawn that I just can't bare to share it (this will be far rarer than editing by omission as mentioned above).
  • A piece I like got cropped off during the scan (the sketchbook is larger than the scan bed by an irritatingly small amount), and I want to include it in the main image.
Other than that, you'll get the lot - including the ones where the cat sat on my arm while I was sketching, or my son injured himself headbutting the coffee table and I had to stop, or I was half awake at the time, and so on.  I won't be giving explanations (unless it's an amusing tale, which I doubt), so if it's crap, just accept that it's crap and move on - there are occasionally good things.

JULY 2014
 
 
 

Notes:  None really. This was a fair time ago, so I don't recall a lot of what I was thinking when drawing these.  There's a head profile in the middle of one of them that may be the worst profile I've drawn in recent memory though.  Yuck.  The spaceman planting a flag right at the bottom is sort of adorable though.

AUGUST 2014
 
 
 

Notes: That page with the Minotaurs might be the best single sketch page I've ever done.  No references either, which amazes me when I look at the head on the right side and the decaying fellow next to them.  Other than that, nothing terribly exciting, but quite a lot of it.

SEPTEMBER 2014
 

Notes: A very disappointing month.  I drew more than this (finishing off that half page for one), but it was mostly things for work, so you don't get to see it.  Quite like some things on the full page, such as the chubby businessman the girl in the dress and so on, but it's not exactly exceptional stuff. 

Sunday, May 10, 2015

5 years at speed! 2010 - 2015

As promised this post will be a brief recap of the Speedpaints I've been doing over the past 5 years.   Some confusion has occasionally come up because of my use of the term speedpaint though, so before we review let's first define.

A speedpaint is a painting, usually digital, whereby the piece is created in a limited amount of time. It's a painting, done at speed. Simple.  Sometimes the time is decided upon before starting, sometimes there's a general maximum time beyond which it's not considered a speed painting, sometimes it's just the frame of mind the piece is created in.  Sometimes these are termed as Studies (and I do so myself in some places to reduce confusion), except a study can actually take a really long time, yet remain a study.

What they aren't, in my useage at least, are timelapses.  This is where someone records themselves painting and then they play that back at an accelerated rate. So you can see someone painting something that took 20 hours in a mere 5 minutes (or whatever).  Sometimes those are timelapses of speedpaints, and I've done a handful of those myself.  I think it's because of this that the timelapses have also become popularly known as Speedpaints (seeing someone paint, at speed),  but that's not what I mean by it.

OK, so now that's sorted out, lets go look at some, small ones, briefly.


The above is the complete record of the 198 'finished' speedpaints I've done in the last  4 years and 7 months.  I consider ones unfinished if I just gave up on them completely, or got interrupted while painting and never went back to them (I don't mind still calling something a speedpaint even if I took a break halfway through, as long as it took less than X time of actual painting.  usually they're done in one sitting though).

I've included the 'Christmas Paints' I did in the first year in the lineup, since in retrospect they fall well within the window of what I now consider speedpaints, but I'm not including the facebook portraits I did a while back because of the fairly arbitrary reasoning that they're in a different folder on my hard drive.

I was tempted to include a couple of the unfinished ones (there are only about 6), just to bring the number up to 200, but I then decided I'd rather do something different for the 200th paint (You'll see it next month, unless you're here from facebook or DeviantArt, in which case you've already seen it).  Many of those unfinished 6 have already appeared on the blog in one capacity or another, and have usually been labeled as such.

The shortest took 5 minutes (or less!  I always round to the closest 5 minutes), the longest 190 (that's about 3hrs and 10 minutes, if your maths are as bad as mine), but that was an unusual case, and I mentioned it at the time.  Usually I try to keep them at under 2 hours, and usually feel increasingly guilty as the time gets close to that.  Sometimes I just get into painting though, and don't really notice the time passing until my butt gets sore, which generally seems to be at about the 1 hour and 45 minute mark.

The majority of the paintings were done in ArtRage, with the first use of something else (Photoshop) being in the third year.  Since then I've used it more and more (especially since I created a brush similar to the one I like in AR), but still regularly use ArtRage.  To date  26 Speedpaints have been in Photoshop, and 169 in ArtRage, with a mere 3 being in Sketchbook pro (I'm not a fan).

One of the images in the lineups is one I've never uploaded before (for reasons I won't go into, because they're boring), so its thumbnail here is the first time I've shown it - there will be no prize for picking it out of the lineup, but feel free if you want to challenge yourself.

Year One


One minor problem with the method I used to compile these images is that they aren't in any particular order other than the 12 month block they were created in.  I would have liked to sort by when they were done, but I also didn't want to spend the time doing it manually.  That's the case for all of these collective images, but this is as good a place to mention it as any.

So year one stretched from October 2010, through to May 2011, and in that time I did 50 paintings.  Some of them weren't terrible!  In fact the first I did (girl in a blue dress, second row down), is still one of my favourite pieces.  Oh, sure, I can do better now, but I'm not sure I can do better in half an hour!  Well, OK, maybe - I should make an effort to do some rougher speedier paints more often to find out.

Most of these took an hour or less, with only 3 going over that time (The Die Hard one and the girl in the pirate outfit on the first row, and the Two Ronnies, which is the first image on the second row).  There's an average of 1.72 paintings a week.  If I had decided to work out the years based on the October start date then the first year would have had 74 paintings, making it by far the most productive (even keeping up my current rate this next year is only going to end up with 48... maybe a handful more if I'm feeling particularly inspired).  But then, at the time I was doing less comission work (none in fact), and fewer 'bigger' pieces in general.

Year Two


More pictures, but less to talk about.  The pieces averaged out at one picture a week, which is actually better than I'm aiming for this year.  This is especially surprising to see given that the first image on this sheet was part of my "Stress doesn't help when speedpainting" post, so I think there was a fair chunk in there when I didn't paint anything.

There are two self portraits in this lot, both of which I'm still fairly happy with, and both of which I think I was coincidentally wearing the same T-shirt for.  There are also two pictures of my son, though you'd never know in at least one case, because it's an awful likeness.  Another awful likeness is that of George Clooney, three rows from the bottom.  Oh, you can't see George Clooney on that row?  Point made then.  Even now likenesses in portraits are extremely hit or miss for me to get.

Incidentally, the 100th speedpaint I did was the second portrait on the last line, though I didn't know that at the time, since I wasn't really counting back then.

Year Three


This year was by far my least productive, but also contains a lot of my favourite works.  In fact, from a quality vs quantity perspective this may have been the most fruitful year, as the ratio of ones I'm pleased with to those that I'm not might be higher than at any other time.

Not much else to say about this year, although it does contain the first Photoshop and Sketchbook Pro speedpaintings; The monotone portrait at the end of the second row down, and the parrot at the start of the next, respectively.

Year Four


Not much to say about this year either really - Productivity was up, while quality was... well, about the same, I guess.  fewer pieces I like compared to those I don't, but those I like I might like a little more?

This year also contained the longest speedpaint featured in this post - the blue haired girl in headphones - at a colossal 190 minutes.  I almost didn't count it as a speedpaint. I ended up doing so. since it was done with a speedpaint mentality at the time, and 3 hours and 10 minutes is still pretty quick by the standards I've held other pieces to.  That was also one of my most liked pieces by other people until recently - I'm still quite fond of it myself; I think the hair came out really well.

Year Five


This one brings us up to almost the current day (Since this image was compiled I've done another two paints, which I'll post about next month).  This last year has seen a sharp rise in the number of Photoshop paints, for no particular reason that I'm consciously aware of (maybe I'm just getting more comfortable using it for painting, or it could be because of the aforementioned ArtRage like brush, or maybe even that they finally overhauled their Color panel to be slightly useable).

If I had continued at the rate I began the year it would have been the slimmest yet, but a resolution has kept up a  steady flow since  January, with my forcing out a paint a week even when I've been otherwise busy, though as a result some of them are very rough and ready, like the Sumo Wrestler looking fellow on the 4th row down, or the final image in this set.

Those pieces are also examples of pieces I've not used reference for, or at least haven't used a direct reference for (three of the ten original pieces had plenty of reference, but it was referred to, not copied), which is something else I've done more of in the last year, though the quality is way behind those I've based more directly off photographs.

Lastly, this year also saw a huge increase in the number of environment pieces, rather than those based on people or animals (twice as many as the previous highest - 8 instead of 4).

And The Rest

These of course were not the only art related things I've done outside of work since the blog began, but they are the only ones I'm counting as speedpaints.  Apparently this means I've done a speedpaint every 1.2 weeks for the past 5 years (alright, 4 and a half years), which is actually a lot more than I would have thought, especially with the other pieces I've done in that time (I'm not going to calculate the averages there, at least not tonight.

So there we have it!  If this were one of those fancy popular blogs that people earn a living off these days I would say something like "Which was your favorite?  Leave a comment below and let us know!"  But since it's a perfectly ordinary blog, and I get a comment less often than I get a haircut, you can just make a vague decision in your head and keep it there if you'd like.  Oh, I neglected to mention it before, but you can click on those compiled images above to enlarge them.

Saturday, May 2, 2015

A Missing Month of Speed

You may have noticed a distinct lack of posts last month.  I have no real reason why that occurred; last month was one of those strange ones that seemed to last a long time but also go by extremely quickly due to my being really busy.  Odd thing though, I don't actually remember particularly what it was I was busy doing.  Never mind, such things are bound to occur occasionally (the last time was 4 years ago), and as a result of some of that busyness (this part I remember) I have plenty to keep me busy with posts for this month, and possibly next month too.  Which is good, because it's anniversary time!

Technically the blog's anniversary was the end of last month, but that post was just saying I was going to do a blog. It wasn't until May that I actually posted any art, so I consider May 2nd the blog's birthday.  Also, even though I didn't start speedpainting for a few months after that, I count the same day as the tickover day between one year's speedpainting and the next, because I suck at remembering dates, so may as well collate them.

So today I'll go over the speedpaints I did this last month, and in the next post do an overall review of the last 5 years (actually 4.5) of speedpainting, unless I don't because I decide to do something else instead (5 Years!  Where'd the time go?)


Time Taken: 55 Minutes
Software: Photoshop
Based on: The character of Sam Vimes form Discworld

As you may know, back in March author Terry Pratchett died.  This hit me reasonably hard as he was, without any hesitation, my favourite author.  Not as hard as when close friends or family have passed (and I've covered that happening on the blog before), but hard enough for someone I only met twice (at book signings, so I don't know that it really counts).  Anyway, I spent some time the day after hearing the news sketching a couple of his characters, but I didn't get to this one who is my favourite of all of them.  The character came up in a thread over on io9 a while later, and I thought "I should paint him.  Why haven't I done that yet?"

He's Blackboard Monitor, His Grace, The Duke of Ankh, Commander Sir Samuel Vimes, or Sam to his family (usually Mr. Vimes to his friends).  He likely doesn't look like a Duke in the picture, I suspect that's just how he'd like it.  If you ever start reading Pratchett's Guards series, or have just begun, you may be confused why the drunk lying in the gutter in the first few pages is here referred to by such a ridiculous title.  That would be spoiling things, although to be called 'Blackboard monitor' is now an honor (or possibly an insult) in Dwarf politics.


None of that has anything to do with painting the picture, which wasn't terribly exciting.  I did gather some reference, but didn't work from any of it explicitly, mostly laying it by ear (or more accurately by stylus, because painting with your ear when you have no cause to is just silly).  I used a range of brushes, and right at the end decided it didn't look like it was either raining, or night time, and so used colour adjustments to increase the cool tones of the image, and motion blur to make the rain strokes look more rain like.  It is almost a certainty that I'll paint more of Pratchett's characters eventually, possibly even Vimes himself.


Time Taken: 50 Minutes
Software: ArtRage 4, Photoshop
Based on: This image by Alraunie-stock

 Nothing special about this one really.  I was more concerned about lighting than accuracy, in that I wanted to capture the detail in the shadows, something I've often struggled with.  I was also trying out a new painting technique, that actually might work for laying down rough areas - it's very scribbly. Clearly the detail in dark shadows thing is something I need to work at more, but this came out alright, if you shrink the thumbnail down enough anyway.


A fairly by the numbers process too.  I wasn't using a grid or anything for this one, and her face ended up being a little wonky, which bothered me even though I wasn't going for accuracy in that area, so for the last stage here I took it into Photoshop and spent a couple of minutes shifting the proportions a little, though it's hard to say which bits were the adjustments, and which were bits I painted in between these two stages (such as bulking up her skirt and hair).


Time Taken: 120 Minutes
Software: Photoshop
Based on: Michael Biehn as Kyle Reese in The Terminator

You know how it is; I'm scrolling through Pinterest and see a photo I've not seen before of a character I love, and immediately want to paint them?  No? Well, that's what happened here.  Only thing was I really wanted smoke in the background rather than the nightclub depicted in the reference photo, and I didn't have a suitable brush (I could have painted that with a standard brush of course, but it would have taken too long probably, and not looked quite as, well, smokey).  So the time taken on this one includes the time taken to make a smoke brush (which was a combination of smoke photographs and the Photoshop cloud filter).  Making the brush took somewhere between 10 and 15 minutes I guess, I wasn't paying that much attention to the time at that stage.


My original intention was to switch from the smoke brush to a more standard one once I'd done the background, but I roughed in the figure with it and liked how it looked, so I ended up using that one brush for the entire painting.  When reduced it gives a nice pastel look, although it's a little hard to predict exactly what it's going to do with each stroke.  I used a 3 across grid for this one to aid with the composition - usually that's not enough to get it particularly accurate when I'm whizzing through a speedpaint, but in this particular case it's really close.  Either I'm getting better at it, or it was a happy accident.

Strangely, while this is one of the most popular images I've ever posted to facebook (44 likes), it didn't do terribly well when I posted the same thing to DeviantArt.  I can never predict what will be well received.


Time Taken: 105 Minutes
Software: ArtRage 4
Based on: This photograph I found on Pinterest, original source unknown.

The photo this was based on was all over pinterest for a few days.  It seemed to pop up every time I scrolled, posted by someone else.  Not terribly surprising, because it's a gorgeous photograph, while this paint based on it... isn't.

Part of the issue is that I decided to adjust the palette when I was painting it. The intention was to go with very blue desaturated tones in order that the orange of her hair would pop more.  Sadly I made those blues too close in value to the orange.  If I'd made them darker, or even lighter, the result would have been what I was aiming for, but of course I realised that to late (increasing the saturation of the orange may also have worked, as it would have altered the apparent value of  her hair), but last time I used a lot of orange it ended up being overpowering, and I didn't want to head down that road again just yet).


The other issue was that I just didn't work out the proportions very well.  I have a tendency to make the side of the face on the far side of the nose too wide, and this time was no exception.  You'd think by now I would know well enough to make the face far narrower than my brain is telling me it is, and then make it wider if I need to, rather than the opposite.  I swear I will remember this next time I do a 3/4 view because I then spend far too long fixing the issue rather than spending it on places that are more enjoyable.  You can see I also had some issues with her chin in the first image of the bottom row, but I got that sorted out fairly quickly.  She also looks as though she has a giant left breast, which is because I was trying to make it look less pointed, and inadvertently added to the size of it instead.  For what it's worth I quite like the way her face ended up, but overall this was not a great success.

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